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Roman Holiday

October 10th 2007 02:36
Roman Holiday Gregory Peck Audrey Hepburn
It's hard not to feel nostalgic for those long-gone days when all the women were princesses and all the men were honourable bastards. Roman Holiday introduced American audiences to Audrey Hepburn, who would go on and capture their imaginations for years to come. Pairing Hepburn with Gregory Peck, it's one of the most loved romantic comedies to come out of America.

Hepburn plays a princess from an unspecified country, who visits Rome on an official function. As part of her title, she has a responsibility to be seen in public gracefully, and answer questions from the media with tact.

Peck is a dastardly journalist that's looking for a scoop that'll get him out of the deep rut he's dug himself in. Things go his way when he learns that the Princess has escaped from her hotel and is in Rome, pretending to be an everyday stranger.

Sure, it's whimsical and flighty, but the story captures something that audiences love to see... tow people from different backgrounds, meeting coincidentally and falling in love. While it was crafted as a light, entertaining comedy, the movie has had a deep cultural impact and was selected for archiving in the National Film Registry for being 'culturally significant'.

Romantic comedies can be irritatingly predictable, with a formulaic plot and a horrendously inevitable ending. After all, audiences want to see romance, despite the indifferent cruelty of reality. Roman Holiday, in contrast, has a heartwrenching, painful ending. As a friend of mine once said

"Everytime I see it, I hope that the end will turn out differently!"

Hepburn captured the eyes of American viewers with her performance: cute, elegant, playful. She's an absolute delight to watch and she carries the entire movie with poise and grace, a perfect foil to Peck, the rough-edged gentleman that goes soft around the princess.

It's a lovely movie and one that'll hit harder when seen in a cinema, on some suitably grey and dismal Sunday afternoon.


* this image is from this favourite movies page.
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Comments
8 Comments. [ Add A Comment ]

Comment by JohnDoe

October 10th 2007 04:31
A classic for sure, great angle highlighting that this is a romantic comedy that lacks schmaltz but still delivers warm fuzzies.

Comment by Cibbuano

October 10th 2007 04:35
JD, sometimes the warm fuzzies are what keep you warm.

Comment by Anonymous

October 10th 2007 05:06
Luke is that you?? are u back?

Comment by Cibbuano

October 10th 2007 05:22
no luke, just a poor sucka trying to fill in his shoes.

Comment by Anonymous

October 10th 2007 12:57
Great movie, good review.

- Luke

Comment by Mountain Fog

October 10th 2007 16:55
God I miss watching those fabulous movies...I grew up watching them all...now, thanks to Mr.Mandrake...?...Mr.Meriln.. ?...Mr.Mandrax...?...oh you know who I am referring to...these great films are only on cable now.....and I am left with the cultural desert known as free TV..

DAMN THEIR EYES!!!

Good post and....see you on 42nd street old top, while singing in the rain and barefoot in the park but GiGi will be there for you, showing you and an American in Paris the sights, then visiting Aunty Mame, while reading Philedelphia story, and then going when Mr Smith goes to Washington....to find out, at the end of the day, it's all about Eve!


cheers

fog

Comment by Cibbuano

October 11th 2007 00:49
luke - thanks!

foggy - I watched a lot of these movies when I was a kid, but didn't appreciate them, as they were overshadowed by cartoon and space ships. Now, though, it's like rediscovery.

the best way to see these films is to go to a theatre that plays classics. Not easy. AS a result, I watch most of these on DVD from the local library!


Comment by Alexandra

November 19th 2007 07:04
While not wanting to contst the essentially whimsical nature of Roman Holiday, i would just like to add a bit to the case for its 'cultural significance', pompous though that may be.
Roman Holiday, along with such other classics as 'To Catch A Thief', and 'La Dolce Vita' may be categorised as part of the genre (very much in its gestation at that point) of the Postcard Movie, promoting and celebrating the rise of tourism as an industry and more broadly popular preoccupation during the period. The films moved action for almost the first time out of the studio lot and onto the streets of cities, celebrating and presenting landscape and physical setting in an entirely new way to cinema audiences. For the first time in such films the landscape itself became an integral character in the action, helping to dictate the tone and atmosphere of the work. What would Roman Holiday have been without its wonderful shots of the city, and similarly how could the menace of 'To Catch A Thief' have been so effectively heightened if not in the contrast between the darkly sinister action and the dazzling visual idyll of the south of France?

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