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Well, here we are, Part 5 of my guide to De Niro films. It's unfortunate that what started as a celebration of such a great actor has to end with mentions of so many average and unimpressive films. To be truthful, I'm kind of put off from finishing this guide because barely any of these films do anything for me, but lucky for you guys I'm a completist and I'm anal about finishing what I start. Anyway, the late 90s and early 21st century has seen De Niro hit the absolute low point of his acting career and - ironically - seen his paycheques hit their highest peak. It's sad that the ratio of pay to performance is of such an inverse nature, but I guess that's Hollywood for you.

De Niro analyze
Paul Vitti (Analyze This, Analyze That)

Analyze This (1999) Directed by Harold Ramis
Analyze That (2002) Directed by Harold Ramis
Paul Vitti: De Niro does a Brando ala 'The Freshman' and gives us his own take on self-parody in these two Harold Ramis-directed buddy comedies. Sometimes verging on an outright spoof of Mafia films, these two movies are inoffensive enough. I think I'd have to say the first is the better of the two, the second one tends to stretch the concept a little too far. De Niro hams it up as the emotional Mafia don in need of therapy, constantly mugging at the camera and using his screen presence to create what is supposed to be some kind of endearing bully character. The pairing of De Niro with Billy Crystal would be the first of several unlikely pairings of comedians with the legendary method actor, the idea obviously being to amuse the audience with the juxtaposition of two very different kind of movie stars. It works to a degree in 'Meet the Parents' because De Niro keeps things relatively serious there (and it worked much better in 'Midnight Run' for the same reason), but here De Niro tries to be whacky and the results are less than hilarious. The second film in particular, 'Analyze That', gave me a healthy dose of cringe with De Niro's recreation of West Side Story musical numbers and his comedic mugging amping up to the next level.

De Niro flawless
Walt Koontz (Flawless)

Flawless (1999) Directed by Joel Schumacher
Walt Koontz: You'd be forgiven for thinking that the teaming up of Philip Seymour Hoffman and Robert De Niro would be a stroke of casting genius, but this thoroughly uninteresting film manages to take a borderline-interesting concept and beat it to a boring pulp. De Niro plays Walt Koontz, a tango-loving security guard who hates homosexuals, and Philip Seymour Hoffman is his brash drag queen neighbour, Rusty. No, it's not a comedy. Anyway, Walt suffers a stroke that leaves him permanantly and partially paralysed, and he is forced to take stock of his life. Amazingly, he is eventually forced to ask Rusty for help, and Walt must swallow his pride and face his prejudices head on. I've never really been a fan of Joel Schumacher's films, and this gritty, empty film is no exception. De Niro gives us the bare minimum in terms of his performance, and what could've been something new and intriguing from Bob becomes just another forgettable drama of little consequence. The average filmgoer will be amused enough by these films but De Niro fans might find them a little depressing.

de niro men of honor
Leslie Sunday (Men of Honor

Men of Honor (2000) Directed by George Tillman Jr.
Leslie 'Billy' Sunday: De Niro plays the major supporting role in this biopic of real-life navy diver, Carl Brashear (played by Cuba Gooding Jr.), the first African-American diver in the American navy. It's an uplifting but overdone film that verges more on melodrama than drama where De Niro plays a senior member of the navy who overcomes his own prejudices and comes to respect Brashear. It's an okay performance I guess, De Niro uses a southern accent and makes full use of his trusty depths of intimidation and inner rage, but it's nothing we haven't seen before. Not a bad film, but not a great one either.

de niro meet parents fockers
Jack Byrnes (Meet the Parents, Meet the Fockers)

Meet the Parents (2000) Directed by Jay Roach
Meet the Fockers (2004) Directed by Jay Roach
Jack Byrnes: Of all the recent 6 or 7 comedies he has done in the last eight years, 'Meet the Parents' is probably the one least offensive to his previous body of work. De Niro plays ex-CIA agent Jack Byrnes and potential father-in-law to awkward nurse, Greg Focker (Ben Stiller). Jack takes an instant disliking to his prospective son-in-law, and the rest of the film (and the sequel too) plays out like a modern-day comedy of errors, with Greg making things worse for himself with each step he tries to take towards Jack. De Niro underplays his role and, for the most part, it works. I know I've mentioned how films have used his screen presence a few times before in this guide, but it's never been more effectively used than the way it's used here - the weight of De Niro's intimidation can be felt pushing down Greg all the way throughout 'Meet the Parents'. De Niro apparently even ignored and osctracized Stiller during the making of the film to help heighten the chemistry. The second film, 'Meet the Fockers', muddies up the dynamic a bit by introducing more characters and stars (Barbra Streisand and Dustin Hoffman) and makes Jack less of an opposing force and more a fish out of water, which unfortunately dilutes the central premise a bit. 'Meet the Fockers' is enterning enough but De Niro isn't used as well by the script and director. As is usually the case, the first is the better of the two films.

de niro score
Nick Wells (The Score)

The Score (2001) Directed by Frank Oz (and Robert De Niro)
Nick Wells: Film fans got - understandably - a little excited when it was announced that Robert De Niro, Marlon Brando and Edward Norton would be making a film together. This Canadian-set heist thriller sees De Niro head up the cast in what can only be described as 'a missed opportunity'. Let's face it, De Niro was just getting to the point where he didn't really care that much anymore, and Brando had reached same said point decades earlier. The only person who seems to really be trying at all is Edward Norton, but even his efforts are wasted in this lame and lacklustre action movie. 'The Score' was apparently plagued by problems on set thanks to Brando's refusal to work while director Frank Oz was in the same room (hence De Niro was forced to unofficially direct parts of the film). A very mediocre movie, barely even worth watching for the meeting of three generations of method actors.

de niro showtime
Mitch Preston (Showtime)

Showtime (2002) Directed by Tom Dey
Mitch Preston: You know you're in trouble when the highlight of a movie is an extended cameo by William Shatner. Since I haven't seen 'The Adventures of Rocky and Bullwinkle', I can pretty much safely say this is the worst De Niro movie I've ever watched. Our boy Bob plays Mitch Preston, a serious LAPD detective who gets paired up with Trey Sellers (Eddie Murphy), a beat cop who wants to be an actor, for a reality TV cop show. The results are your typical buddy-cop comedy, De Niro plays the serious by-the-book veteran hampered by the inept younger buffoon, and frankly - for the audience - it's a match made in hell. Not really all that funny a film, and De Niro gives his lines with minimal effort. Worst of all, Bob got paid 17.5 million for this drivel.

de niro shark tale
Don Lino (Shark Tale)

Shark Tale (2004) Directed by Bibo Bergeron, Vicky Jenson and Rob Letterman
Don Lino: De Niro lends his New York twang to this mafia-parodying computer-animated comedy. He plays Don Lino, the Godfather of the sharks, and his animated counterpart is an amusing caricature of his various gangster-related roles. Not really much to say, it's an okay film - a bit too flooded with pop-culture references for my liking, but entertaining all the same. De Niro does what the role asks of him, he gives as good as anyone else and isn't too subtle or unsuited to voice-over work.

De Niro good shepherd
Bill Sullivan (The Good Shepherd)

The Good Shepherd (2006) Directed by Robert De Niro
Bill Sullivan: De Niro plays a minor but important role in this sprawling espionage epic as General Bill Sullivan, a man instrumental in the creation of the CIA. He pretty much only has three scenes, and his character is this ailing, ageing old influential soldier. It's a decent enough role, and De Niro is pretty good in it, but like I said - it's only a small role. It does, however, give me hope that we will seen a turn back to some more interesting, older roles for De Niro in the not too distant future. This film is an intriguing pet project of De Niro the director too, and whilst it's by no means a perfect film, it's worth seeing for it's ambitious attempt to sum up 30 odd years of CIA history and the assemblage of an impressive all-star cast.

And that brings us up to speed. As De Niro seemed to stop trying in the last ten years I too seemed to stop caring, so I haven't been as vigilant about seeing his more recent films as I have about seeing his earlier ones. So there are a few I've missed in this part of the guide... 'The Adventures of Rocky and Bullwinkle' (2000) is one of the few kid's movies De Niro has featured in, and the pictures and reviews I've seen of it haven't really inspired me to watch a copy. '15 Minutes' (2001) is an action-drama about criminals getting their fifteen of fame via the media, I've seen it but I didn't include it in this list because I didn't really pay that much attention to it when I watched it... De Niro plays a media-savvy cop in it. 'City by the Sea' (2002) sees De Niro play yet another cop, it doesn't look very interesting but I'll probably get around to watching it eventually. 'Godsend' (2004) is an apparently mediocre horror movie that has De Niro in a supporting role as a shifty scientist of some sort. 'The Bridge of San Luis Rey' (2004) is a little-known drama of some sort that features De Niro in a small supporting role as the Archbishop of Peru. 'Hide and Seek' (2005) is a horror film co-starring Dakota Fanning, and apparently De Niro puts a little more effort in here than he has been in other films lately, so I'll probably check this one out eventually. 'Arthur and the Invisibles' (2006) is a french kid's film directed by Luc Besson, and De Niro provides the voice of the King for the English version. The next film set to come out that features De Niro is 'Stardust', a fantasy film where Bob plays the character of Captain Shakespeare. It has an interestig cast - Peter O'Toole, Ricky Gervais, Ian McKellan, Claire Danes - so it might be worth checking out.

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de niro cool


Well, this is Part 4 of a five part guide to De Niro films I've seen. This part deals with Bobby boy's films from 1995 to 1998. De Niro pretty much did his last good work as an actor in this period, he collaborated with Martin Scorcese for the last time (on 'Casino') and did one or two more interesting things before pretty much going on autopilot for the rest of his acting career so far. I'm afraid the mid-90s were the beginning of the end for De Niro, he also started taking more and more supporting roles, perhaps sensing easier money... but oh well, we soldier on!

de niro casino
Sam Rothstein (Casino)

Casino (1995) Directed by Martin Scorcese
Sam 'Ace' Rothstein: Scorcese's epic Vegas flick needs little said to reccomend it, but nevertheless, our man De Niro brings his A-game to this biopic of real-life mafia associate Frank 'Lefty' Rosenthal. A highly entertaining rollercoaster ride incorporating gambling lords, gangsters, and the low-life hangers-on they attract. All three leads - De Niro, Joe Pesci, Sharon Stone - do great work here, and the film exists as a kind of thematic sequal to 'Goodfellas', with both films being similar in tone and style, as well as both being based on true crime books by Nicholas Pileggi. De Niro gives a towering performance as the broken-hearted obsessive survivor who runs one of Vegas's biggest and dirtiest casinos, and he also provides some entertaining voice-over narration (alongside Pesci). One of De Niro's two last great films.

de niro heat
Neil McAuley (Heat)

Heat (1995) Directed by Michael Mann
Neil McAuley: De Niro lends his considerable screen weight to this elegant cops-and-robbers epic as career thief Neil McAuley, the professional leader of a no-nonsense crew looking to pull off a big job. 'Heat' helped bolster Michael Mann's reputation as the classiest of America's home-grown action directors, and is a slick and impressive all-star action thriller for people who don't mind a bit of storyline with their shooting and killing. Probably best remembered as the only film in which De Niro and Al Pacino both appear on the screen at the same time (they both previously starred in 'The Godfather Part II' but never actually shared any scenes). Mann wisely keeps their storylines in 'Heat' seperate for the bulk of the film... De Niro and Pacino only have one scene together, but this just seems to make it all the more special. Most people tend to agree that this is De Niro's last truly great movie.

de niro fan
Gil Renard (The Fan)

The Fan (1996) Directed by Tony Scott
Gil Renard:This isn't really a bad film, or even that bad a performance, but what it is is something we've all seen before. De Niro gives a recycled psycho-stalker performance that calls to mind his superior work in 'Taxi Driver' and 'The King of Comedy'. The fact that he even had someone stand in for him in scenes that called for him to pitch a baseball shows how little he put into his performance here... this is a man who once prided himself on his methodical dedication to his craft, and he's even played a baseballer before ('Bang the Drum Slowly'). Little colour or originality is injected into Bob's role, and by the film's end he is firmly painted as the villain of the piece, so there is little sympathy or interest to be aroused in the viewer for him. More a film for Wesley Snipes fans, and that aint so cool...

de niro sleepers
Father Bobby (Sleepers)

Sleepers (1996) Directed by Barry Levinson
Father Bobby: It's been a very long time since I saw this film so I won't say too much. De Niro plays the small but important role of the local community's priest in this all-star drama about revenge and abuse. In this role he gives a very warm and sympathetic performance, probably one of the few emotionally-normal roles he's played in his long career. It's a decent film, and De Niro does more than enough with the supporting character he plays.

de niro cop land
Moe Tilden (Cop Land)

Cop Land (1997) Directed by James Mangold
Moe Tilden: De Niro plays a supporting role in this film as the arrogant senior cop looking to root out police corruption. It's a cool role and De Niro makes good use of his screen presence, though the film itself isn't one of my favourites. Worth seeing for the great cast (Harvey Keital, Ray Liotta, Robert Patrick and Janeane Garofalo all feature) and Sylvester Stallone's own astonishing against-type performance, and it's also fun to watch De Niro throw his weight around in scenes with all these actors too. A flawed but interesting film.

de niro wag the dog
Conrad Brean (Wag the Dog)

Wag the Dog (1997) Directed by Barry Levinson
Conrad Brean: This is a great satire on American political spin-doctoring and is notable for it's clever pairing of De Niro and Dustin Hoffman (though the two have and would appear with each other in other films). De Niro gives a wisely restrained and offbeat performance as the shifty, shady spin doctor with a glint in his eye. Hoffman pretty much steals the show as Stanley Motss, a movie producer clearly based directly on legendary Hollywood producer Robert Evans, but De Niro still holds his own. Unfortunately it's one of De Niro's last interesting performances of note.

de niro jackie brown
Louis Gara (Jackie Brown)

Jackie Brown (1997) Directed by Quentin Tarantino
Louis Gara: Above I mentioned that 'Wag the Dog' contains one of De Niro's last interesting performances... well, his work here in 'Jackie Brown' is probably the last interesting De Niro role to date. Wonderboy director Quentin Tarantino excels at resurrecting careers and casting well-known actors against type, and here he works his magic on De Niro - it's just a shame that 'Jackie Brown' is probably the director's least flashy film, as after this De Niro pretty much just stuck to doing crap films. Anyway, Bob gives an uncharacteristic performance in an uncharacteristic role here, he plays a very laid back and clued out stoner ex-con - the sort of guy who just drifts through life and let's other people point him in the right (or wrong) direction. He isn't very smart either, and it's great to see De Niro playing a real dumbarse, he has a lot of fun with it but keeps it fairly subtle too. I love Tarantino's films but I have to admit that this is easily my least favourite by a long shot, whenever I watch it I'm pretty much just watching it for De Niro's bits.

de niro great expectations
Arthur Lustig (Great Expectations)

Great Expectations (1998) Directed by Alfonso Cuaron
Arthur Lustig: This modern re-telling of Charles Dickens' classic sees De Niro take on the Magwitch role. It's an interesting take on the story, the modernisation works to a certain degree, and what it lacks in Dickensian feel it makes up for with director Alfonso Cuaron's trademark knack for spooky atmosphere. De Niro's role is a small one that tops and tails the film and he does intimidating or kindly whenever the script calls for it, but nothing more.

de niro ronin
Sam (Ronin)

Ronin (1998) Directed by John Frankenheimer
Sam: De Niro goes all action-man in this classy European crime thriller from veteran director John Frankenheimer. De Niro plays the 'hero' of the film, a mysterious American with intelligence and surveillance experience, and he does well enough - though the script doesn't really call for him to do anything exceptional in terms of acting or characterisation. 'Ronin' is a decent film with a great international cast and some great car chases, definitely worth seeing if you're a fan of spy or action films. De Niro got paid about 12 million to star in this film, which was the biggest pay packet he had recieved so far in his career at the time. From here on in his choice of film roles would be dominated by big money such as this, and the quality of his films went down accordingly.

Stay tuned for the last part of this guide...
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robert de niro guide


This blog follows on from Parts 1 and 2 of my guide to Robert De Niro films I've seen. In the 1990s De Niro's film career sort of mutated a bit, he kicked it into overdrive and switched from carefully picked major roles in uncompromising films to more supporting roles and bigger movies. As a result, he made a LOT more films per year... whereas previously he usually only did one film a year, he was now making anywhere up to three or four films a year. So for the 1990s and 2000s part of this guide I've had to split it across three parts, as there are a lot more films to talk about (and De Niro's more recent output is also a lot easier to find than his earlier films, so I've seen more of them). This section deals with 1990 to 1994.

And here we go...

De Niro Goodfellas
Jimmy Conway (Goodfellas)

Goodfellas (1990) Directed by Martin Scorcese
Jimmy Conway: After seven years apart, De Niro and Scorcese got back together again for this incredibly influential modern gangster epic. This time De Niro took on a supporting role, playing mentor to Ray Liotta's mafia-wannabe, and agreed to appear in the film mainly to help Scorcese sell it to film financiers. De Niro's work here isn't really anything new, but it's still good nonetheless. His later scenes as the older, more paranoid Jimmy Conway are fun to watch.

Awakenings Robert De Niro
Leonard Lowe (Awakenings)

Awakenings (1990) Directed by Penny Marshall
Leonard Lowe: Some critical quarters were quick to give De Niro a bad wrap for his involvement in 'Awakenings', though I suspect it's more to do with the fact that this film is such an un-De Niro film and some people had become so attached to the stereotypical De Niro role (such as the one above in 'Goodfellas') that they had trouble accepting him doing anything wildly different. Suffice to say, De Niro got his fourth Academy Award nomination for Best Actor for his portrayal of Leonard Lowe in this movie. Lowe is one of many patients who have become vegetables thanks to encephalitis, in this film a doctor named Malcolm Sayer (played by Robin Williams in restrained, serious actor mode) discovers a way to rouse these patients from their coma-like existence. I believe De Niro's work here as Lowe is amongst his best, and demonstrates how far his range could've gone had he not been pigeonholed in 'tough guy' roles for the majority of his career, his transformation from vegetable state to rejuvenated force of life is uplifting and moving. Lowe has been in this state since childhood, so we get a serious and affecting performance of a child in an adult's body, valiantly trying to adjust, and tragically altered by the devastating side effects of Sayer's treatments. One of De Niro's most emotional roles.

de niro guilty suspicion
David Merrill (Guilty by Suspicion)

Guilty by Suspicion (1991) Directed by Irwin Winkler
David Merrill:This forgotten film features De Niro as a 1950s Hollywood director brought under suspicion by HUAC (the House of Un-American Activities) during Hollywood's infamous era of black-listing and 'naming names'. It's a fairly average film about a fascinating subject. It could've been a great and controversial film but the director changed De Niro's character from an actual communist to just being someone who opposes HUAC... it's this kind of gutless watering down that makes this film so mediocre, and De Niro's character is fairly unexpressive for the bulk of the movie. De Niro only really comes alive in the film's final scenes that take place at the HUAC hearing... these scenes are great, but it just reminded me what a shame it was that the rest of this film was so unmemorable. Also worth watching for some early scenes featuring Martin Scorcese acting alongside De Niro as a fellow director.

De Niro Backdraft
Donald Rimgale (Backdraft)

Backdraft (1991) Directed by Ron Howard
Donald 'Shadow' Rimgale: Ron Howard's all-star tribute to firefighters features De Niro in a supporting role as fire expert Donald Rimgale. De Niro's character here is kind of like the Van Helsing of fires, he studies fires and even has a Hannibal Lector-like pyromaniac arch-nemesis (played by Donald Sutherland), and also sports some gruesome burns across his back. Still clinging to his method roots, De Niro apparently studied various real life fire scenes alongside the real-life fire expert his character was based on, and unlike later films where he plays similar kind of characters you can tell De Niro is still putting in some effort here.

Cape Fear De Niro
Max Cady (Cape Fear)

Cape Fear (1991) Directed by Martin Scorcese
Max Cady: This is probably one of De Niro's most notorious roles, and when most people think of De Niro acting all scary and stuff this film probably comes to their mind first. Martin Scorcese's amped up remake of the 60s thriller sees De Niro take his sociopath mimicry to near-comical levels. It's worth remembering that Bob was nearly 50 when he made this film, which is pretty impressive when you consider how buff he got for it. And yes, De Niro is full-on in this movie... he researched sex crimes and sexual predators, had his teeth professional damaged, got tattooed with vegetable dye and got his body fat down to about 3%, all to play one of the most horrible villains to ever be put on the screen. De Niro's Cady is a loutish menace and an unstoppable force of nature, and he was nominated for the Best Actor Oscar for the fifth time. To date, it is the last time he was nominated for an Academy Award.

de niro mad dog
Wayne Dobie (Mad Dog and Glory)

Mad Dog and Glory (1993) Directed by John McNaughton
Wayne 'Mad Dog' Dobie: This rather uneven comedy sees De Niro team up with Bill Murray, and the big gag is - Murray plays the tough guy! This film isn't really all that funny and De Niro plays the somewhat ironically named 'Mad Dog', a shy police photographer who gets mixed up with a gangster (Murray) who wants to be a comedian. De Niro is okay in this, but he isn't really given much to do, I guess he's funnier when he plays along with his tough guy stereotype ala 'Midnight Run' and 'Meet the Parents' rather than against it. He has oddly coloured hair in this film too, it seems to be a lighter brown than usual. Not really worth watching.

de niro This boy's life
Dwight Hansen (This Boy's Life)

This Boy's Life (1993) Directed by Michael Caton-Jones
Dwight Hansen: De Niro takes an important supporting role in this partial biopic based on the formative years of writer Tobias Wolff's childhood. Leonardo DiCaprio plays Tobias, the son of a single mother (Ellen Barkin) who shacks up with Dwight, De Niro's character. Dwight initially appears to be a nice guy but as the film progresses it becomes apparent that this man considers his house to be a castle in which he is the unchallengable tyrant. De Niro is great in this, bringing to the fore all the petty meanness and abuse that colours the lives of so many broken homes. He also affects a more regional accent, dropping his normal New York twang. I'm not sure what accent it is as I'm not American, I think it might be a more north-western kind of accent or something. Anyway, this is a good film and Leonardo DiCaprio and Ellen Barkin are good in it too. One of De Niro's more underrated roles.

De Niro Bronx
Lorenzo Anello (A Bronx Tale)

A Bronx Tale (1993) Directed by Robert De Niro
Lorenzo Anello: De Niro's directorial debut is a great coming-of-age film based on a play by actor Chazz Palminetri. If you enjoy films like 'Stand By Me' and 'Goodfellas' and ever had a hankering to see a film that combines the two genres these films represent then you couldn't really go past this engaging and entertaining movie. De Niro takes a supporting role as the father of the progatonist, a young boy torn between leading an honest life and following in the footsteps of the local head gangster (Chazz Palminetri). De Niro plays the flipside of the gangster role he's more often associated with, he plays a very moral and upstanding busdriver who always tries to do the right thing. It's nice to see De Niro play such a warm, fatherly figure (especially in light of the monster he plays in the previous film mentioned in this guide, 'This Boy's Life'). Another good movie that doesn't really get the kudos it deserves.

de niro frankenstein
The Creature (Frankenstein)

Frankenstein (1994) Directed by Kenneth Branagh
The Creature: De Niro didn't get favourable reviews for his portrayal of the misbegotten creature created by Dr. Frankenstein. I think what I said in my paragraph for 'Awakenings' kind of applies for this role here too... a lot of people weren't willing to accept De Niro playing a sympathetic monster in a film based on a classic horror novel, and I think this is a shame because this is some of his most underrated and touching work. That he copped so much flack over something like this that he probably put a lot of work into, well, it's no wonder he seemed to stop caring in the late 90s and just signed on to any old drivel. Anyway, soapbox aside, I really like De Niro's performance here... he plays against expectations and gives some of his most sensitive acting as the deformed and unfortunate monster, I couldn't help but feel sorry for the creature in almost every scene he appeared. Also worth seeing for De Niro's early pre-monster scenes as the petty criminal the creature is primarily made from, where he affects a coarse British accent.

There are only two other De Niro films from this period that I haven't seen, these are 'Mistress', in which I understand De Niro has an extended cameo role as a film producer, and 'Night and the City', an apparently mediocre remake of a 50s noir film starring Richard Widmark. You can probably understand why I haven't rushed out to track these two particular films down.
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Robert De Niro


Today I'll be following on from yesterday's guide to De Niro's films of the 70s with this personal tour of his 80s films. Once again, I'm keen to remind you o deligent reader that I haven't seen all his films, so this is only a guide to the ones I've managed to watch so far


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Robert De Niro


I'm a huge De Niro fan. Chances are you might've come across my latently homosexual gushings about him in various reviews of films on this blog. Chances are you haven't, and I've just implied that I'm gay for him to someone who previously didn't suspect this. Damn


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Top 10 films of the 80s

January 22nd 2007 03:49
Here are 10 great 80s movies that kept me sane in my childhood. These aren't so much the finest films of the 80s, or the ones most deserving of adult praise. These are purely 100% maximum kid-aimed entertainment, or at least films that had that effect on me when I was little. These are the films I watched over and over again - the movies I memorised, quoted, play-acted and wished were visualisations of my real life. In short, these films were blessed escapism, and they are the bread and butter I grew up on.


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Top 10 Funny guys in films

January 9th 2007 09:27
Funny can be very subjective, so save yourself the trouble - if you don't find one of these guys funny, I get it, I know there's no accountability for taste. These are just 10 film characters that crack me it and make me lose my shit.


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The great comedian, Harold Lloyd

January 1st 2007 01:08
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Top 5 Films

December 1st 2006 10:25
Withnail and I


I'm going away for a few days so I'm just doing a short post on each of my blogs today


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Top 10 Anti-Heroes in Film

October 30th 2006 01:33
Continuing from the recent blogs on Top 10 Villains and Top 10 Heroes, I've decided to venture on into the curious and highly-entertaining middle ground between the two... the Anti-Hero.

Just a quick run down... the way I perceive a character to be an anti-hero is that he (yeah, 'he' - couldn't really think of any decent female ones... Sarah O'Connor comes close but got nudged out by my Top 10) must match these criteria


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Top 10 Heroes in Film

October 22nd 2006 05:50
Well, following up on last Monday's 'Top 10 Villains in Film', here is a list of 10 Great Film Heroes (thanks to Lilla for the suggestion). I had a lot more trouble with this list as I usually find the villain more interesting than the hero, so I didn't really have any favourites (besides one or two) that have always sat in my head (waiting for me to collate them into a list - like the Villains blog!). To help myself out I gave myself some criteria...

1. No characters based on real life figures... I think I did this as the line between fiction and fact tends to become blurred. I was going to include Ron Kovic (Born on the 4th of July), Gandhi (Ganhi), Karen Silkwood (Silkwood) and Paul Rusesabagina (Hotel Rwanda) in my list but then I began to question whether I was including them because of the heroic deeds of the real-life figures they are based on or because of the way they were portrayed. Likewise, I think the actors in question already have half their work done for them too (in terms of appearing heroic) if the character happens to be a hero to begin with. So, I thought it was simpler to just disqualify these altogether


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Top 10 Villains in Film

October 15th 2006 01:09
Villains are almost always the most interesting thing in a good movie. The good guy, well, he's good - sometimes there's not much you can do with that unless he's flawed in some way. But the villain... well, you've got a whole range of fucked up and evil stuff you can explore. They always say it's more fun to play a villain.

So in no particular order, here are 10 great villains from the movies


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The following eight films are all real movies that have been made only to become subsequently unavailable. Three of them are films that have never been released, the others are notable films that have been buried after their initial releases. Obviously, I haven’t seen any of these. I’m not sure how many of them I would’ve seen either, had they been made available to me. Just the fact that they’re unavailable makes them more interesting I think. Anyways…


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Is Robert De Niro insane?

September 25th 2006 06:56
When the words 'method' and 'actor' get put together the man most likely to be mentioned in the same sentence is Robert De Niro. The guy is a deadset lunatic... I love him and want to have his babies when it finally becomes possible for two men to procreate, he's a legend. But check out some of the lengths he has gone to in the name of researching or playing some of his film roles...


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