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Amazing Grace

November 5th 2007 10:27
Amazing Grace


Just a short-ish review today before I strap on my rocket pack and fly off to groovetown...

It's being called the feel good sleeper movie of the year, one of those good-vibes dramas that grows in popularity as buzz gets generated mostly by word of mouth. Apparently even Oprah is championing the film now. What an amazing surprise that is... Oprah imploring everyone to go and see a movie about the enslavement of Africa. Let me put this out there, I have no problems with the movie 'Amazing Grace' or people endorsing it, but why is it that a hundred or more superior or equal British films about important historical events have come and gone without Oprah giving a shit? I hate how Oprah uses her influence to wheedle her own political passions into the 'must-see' lists of housewives around the world, and how Oprah assumes that African slavery is the Most Important Issue of All Time for Everyone on the Whole Planet. Anyway, moving on...


'Amazing Grace' is the story of William WIlberforce, a 17th century English politician who relentlessly campaigned for the abolition of slavery within the British Empire. The structure of he film flits between the two stages of his life spent fighting against this injustice. At first it jars a little but eventually it makes dramatic sense, and Ioan Gruffudd (as consistent and underrated as ever) gives the film an appropriate sense of scale without going over the top. The film itself also manages to treat the subject with a dignity that many American films fail to grasp, opting to focus on the details and characters rather than sensationalising the African plight or presenting the issues of the day anarchronistically, and - most importantly - avoiding the boredom factor (something Steven Spielberg's 'Amistad' failed to do).


An array of familiar British character actors (Michael Cambon, Rufus Sewell) add a suitable amount of colour to the proceedings, and Albert Finney puts in a moving extended cameo (give the man a bloody Oscar already!) as the repentent slave trader John Newton (writer of the song, 'Amazing Grace'). I really enjoyed this film, and I was terribly relieved that it didn't all go massively Hollywood or send me to sleep. To paraphrase one of the film's characters, it's a nice slice of history that reminds us that not all great people are warriors or men of war, and as a tribute to William Wilberforce and his tireless campaigning for human rights the film is a huge success.
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Julius Caesar

April 13th 2007 05:59
Julius Caesar
Julius Caesar (1953)


I hated Shakespeare in school. I wasn't known for having a short attention span, but I had trouble not dozing off during all the doth's and thee's. In recent years however, I have come to nurse a infantile respect for the bard's plays. This isn't through any sense of growing maturity or appreciation for his work, it comes via my appreciation of certain actors. The thing I do like about Shakespeare is that his plays lend themselves to all kinds of different interpretations, in terms of setting, stage direction and how a role can be played. It's through this that I've come to like Shakespeare's works, I enjoy seeing actors perform his words and seeing what new thing they might bring to such oft-seen roles... a good actor can keep me awake through what would have sent me to sleep back in school. And I guess that brings us to this review, I came to the 50s film of 'Julius Caesar' via my high appreciation of Marlon Brando and my compulsive need to see all his films.

I wasn't familiar with 'Julius Caesar' the play before seeing this film, so it was all (mostly) new to me. Obviously, there were certain things I was aware of, ala the 'et tu Brutus' quote, just because they've become so famous and are a part of our culture now. Anyway, it's a good play... I read that it came via an era in England's history when the people of England were worried about civil war breaking out after Queen Elizabeth's death, seeing as she had no natural successor, nor had she named one. In 'Julius Caesar', Caesar has been made dictator for life... he has been elevated to the status of a living God, and his senators - in particular, Brutus (James Mason) - are anxious about the fate of Rome in the hands of someone who has been granted such power. Brutus is cajoled by a fellow senator, Cassius (John Gielguld), into a conspiracy to assassinate Caesar. Cassius and the other senators wish to see Caesar dead because they fear and envy his power... Brutus amongst them is the only man who enters into the conspiracy because he cares about Rome itself. Much of the play centres on Brutus' conflicting emotions regarding the matter... he loves Caesar dearly, but he loves Rome more. He alone of the conspirators is the 'honourable man', and we meditate alongside him on themes of flattery, ambition and the ends justifying the means.

This is a lavish production. I was expecting a stodgy and static 50s BBC-styled interpretation of the play, but instead I got this lively and epic production. Ancient Rome is borught to life with spectacular crowd scenes, and even the soliloquising comes alive, especially in one scene where Cassius expouses his feelings whilst marching along through the streets of Rome, the camera following him all the way. Add to this a distinguished cast of both British and American first-rate stars and you have the makings of a definitive film version of 'Julius Caesar'. James Mason and John Gielguld are of course perfectly suited to Shakespeare and are old hands at these works but the real surprise is Marlon Brando’s easy and naturalistic integration into their company as Marc Antony, and the vitality and modern life he brings to his role. Antony might not be the main character of this play, but in the one scene where he takes centre-stage... wow. Brando gives an emotional and sincere performance, the anger and the sarcasm of the famous 'Friends, Romans, Countrymen' speech is brough to the fore as he enflames the broiling crowd before him. It's a magical moment, watching the method meet the bard, and it's easy to see why this one scene won Brando his third Academy Award nomination for Best Actor.

I enjoyed this film a lot, and I'd recommend it to Brando fans. I think I'll moving on to some of Laurence Olivier's Shakespeare films soon.
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The Last Valley

March 26th 2007 06:45
The Last Valley
The Last Valley (1971)

This is one of those forgotten films that have come tumbling out of obscurity thanks to the wonders of the DVD age. Directed and adapted for the screen by James Clavell (who made 'To Sir, With Love', penned the screenplay for 'The Fly', co-wrote 'The Great Escape', and authored various well-recieved novels set in Japan and Hong Kong) and starring Michael Caine and Omar Shariff, this film focuses on that most forgotton of wars, the Thirty Year War... a horrific, senseless war that epitomised the greed and callousness of late medieval European politics.
Omar Shariff plays Vogel, an intelligent man just trying to survive amidst the ruined countryside of 17th century Europe. Whilst fleeing the indiscriminate brutality of German mercenaries he happens upon a quiet and peaceful village in a secluded valley, miraculously untouched by carnage and destruction. Unfortunately, in his wake come said mercenaries, led by the Captain (Michael Caine). Acting fastly, Vogel suggests to the Captain that they stay their hand and opt to settle in the village for the winter - taking advantage of the prosperity and peace to rest and eat well for several months - in essence, taking a break from the war. And so an uneasy peace develops between the peasants and the soldiers, with Vogel acting as a mostly unwelcome peacemaker between the two groups. Of coure, there are complications... beyond the valley the war rages on, and the mercenaries require food and sex from the peasants if peace is to be maintained. Add in some seemingly incompatible religious differences, a very obstinate priest, and the machinations of those unhappy with the arrangement, and you've got yourself the proverbial tense situation.
I've never been a fan of Omar Shariff, he's pretty much the cinematic equivelent of a wet blanket, and while he seems to be the 'hero' of the film, he doesn't really do anything all that heroic or of note. Also, the Casablanca-like ending involving Vogel and his village sweetheart seemed a bit out of place and had me scratching my head. The real star of this film is easily Michael Caine... his character is the most interesting facet of the piece, and he gives a cold, restrained performance as the shrewd and ammoral Captain.

I really enjoyed this movie, it had some great epic action and some serious points to make about religious hypocrisy and war in general. The film offers a fascinating glimpse at a seldom-seen era in history... a harsh world governed by ignorance and religious intolerance. When this era is shown to us it's usually from the eyes of the leaders and in the cities, never from the point of a view of a lowly village or a largely unimportant regiment of mercenaries. The direction, cast and score is the stuff of class... some of the more cliched-drammatic scenes threaten to become hokey but overall it's a very A-grade event and it's hard to see why this film isn't more well-knowned or appreciated.
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Aguirre, the Wrath of God

March 18th 2007 13:04
Aguirre
Aguirre, the Wrath of God (1972)


'Aguirre, the Wrath of God' has earned itself a reputation of greatness since it's release back in 1972, and represents the first teaming of German director Werner Herzog and the infamously crazed actor Klaus Kinski. Astoundingly, the film was produced and created independently - utilising stolen equipment and some 400 stolen squirrel monkeys. For the last two years it has sat pretty high on my list of films that I most wanted to see... a few days ago I finally got to watch it, and I found it to be suitably excellent


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The Last King of Scotland

February 22nd 2007 12:13
Last King of Scotland


'The Last King of Scotland' is one of the left-field surprises of the season, bringing us the fascinating story of Ugandan dictator and all-round atrocity-committing madman Idi Amin, and featuring the underestimated Forest Whitaker in one of the most spectacular performances of his life (and nominated for the Best Actor Oscar too). This British-made film is based on the fictional memoirs written by English journalist Giles Foden, and whilst it initially only got a limited release in the U.S., it's recent Oscar-buzz (Whitaker has walked away with most of the big awards for Leading Actor this season) has given the film a bit more pep than it initially enjoyed when it was first released back in September


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The Queen

February 4th 2007 11:58


‘The Queen’ was one of the first films to generate an Oscar-buzz this season, and has garnered a very respectful 6 nominations for it’s troubles. Helen Mirren is the hot favourite to win the Best Actress Oscar for her daring and dignified performance as Queen Elizabeth II, and the film itself is no slouch either when it comes to being a contender for the Best Film or Director Oscars


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A Passage to India

December 21st 2006 09:55
A Passage to India (1984)


'A Passage to India' is notable for being the last film directed by David Lean, who is widely regarded as one of the greatest directors of all time. As a David Lean film, it stands as a bit of an oddity... whilst undeniably epic in terms of it's effective cinematography and the unmistakable tone of it's direction, it remains a rather more personal story in terms of it's scope and is a far cry from the likes of his other epics


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The Leopard

December 18th 2006 10:23
The Leopard (1963)


The Leopard is a magnificent and epic Italian film about the Risorgimento, a period in the 19th century that saw the unification of Italy from various disparate states. Through the eyes of Prince Don Fabrizio Salina (Burt Lancaster) we witness this great upheaval of society in Sicily as the old guard (begrudgingly) makes way for the new


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Lawrence of Arabia

November 29th 2006 07:38
Lawrence of Arabia (1962)


This was one of the films I’d avoided for a while - fearing it would be a bloated, dated epic – but I was pleasantly surprised and impressed with this film when I finally saw it, despite the fact that it clocks in at a weighty and disparaging 217 minutes. Luckily, it came complete with one of those old-school intermissions (a common practice of it’s era), and I feel that such a break in the film is just as important to it’s structure as it is to the viewer’s concentration. This was back when I was a fledgling film-nerd, but by any rate I’m glad I finally overcame my reservations and watched it as it’s now one of my favourite films


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El Cid

November 27th 2006 06:34
El Cid (1961)


'El Cid' is one of those grand epics of the 60s. Sweeping panaromic visuals, rippling chests, thrusting swords, castles, courtly intrigues and hordes of bloodthirsty warriors. This film is from right in the thick of the genre, back when it was at it's strongest and most popular, and it still stands up today as one of the less-dated and more entertaining stories of historical heroism


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The Private Life of Henry VIII

November 19th 2006 12:36
The Private Life of Henry VIII (1933)


I don't know what it is, but for some reason I've found the few films I've seen from the 1930s to be a whole lot more entertaining than some of the stuff from the 1950s that is often given 'classic' status. Maybe it's because it's pre-Hayes Code, or maybe the films are less melodrammatic or something? I can't quite pinpoint it. Just an odd thought I thought I might air


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Nixon

October 23rd 2006 10:25
Nixon (1995)


Following on the dynamic and successful 'Natural Born Killers', and drawing on the historical tapestry that fed 'JFK', Oliver Stone turned his conspiratorial sights on former U.S. President Richard Nixon... with surprising results. Instead of damning a target as easy as Nixon, Stone instead chose to portray the fallen President's eventful story as a tragedy. Keen to remind us of what Nixon did for America (and, as a byproduct, the rest of the world), but equally keen to push our faces right into the controversy and grit of the administration, the film gives us a fairly balanced and moving account of Watergate and the man’s career leading up to it


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JFK

September 26th 2006 06:52
JFK (1991)


JFK. Arguably Oliver Stone's most notorious and controversial film (and he's had a few). Where do I start? It's a film about the assassination of American President John F Kennedy, obviously, but it takes place a few years afterwards, with New Orleans DA Jim Garrison (Costner, suitably cast as the somewhat dull everyman) re-examining and reconstructing the events surrounding the suspiciously absolved assassination


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Gangs of New York

August 30th 2006 08:11
Gangs of New York (2002)


Okay, I know this blog is called 'Old Movies' but I was getting sick of being restricted. Let's just say this blog is predominantly old movies, with the occasional newer film thrown in. Besides, it's at least 4 years old. And double besides, someone requested this particular review as well


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