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Swimming With Sharks

October 20th 2006 05:34
Swimming With Sharks (1994)


Judging from the cover, you'd think this was some sort of comedy. I was warned of this prior-wise, by the same person who recommended it to me (hello Chris), so I was ready for anything. At the very least, I'm always entertained by Kevin Spacey, so I knew it wouldn't be too shit.


'Swimming with Sharks' is a satire of sorts on the cut-throat world of Hollywood producers and their grovelling assistants. The story focuses on one such assistant (Frank Whalley) and his demanding, smirking boss (Spacey). Using a flashback-method to tell the story over several different timeframes, we're shown the evolution of the relationship between the two, which never seems to remotely resemble anything normal. At one point a remark is made to the effect of 'this isn't how you run a business', to which the reply runs, 'this isn't business, this is hollywood', which pretty much sums up the screwed and skewed directions the story takes us.

As I mentioned earlier, this isn't the comedy the video cover seems to suggest it is; in fact, it takes various plot turns that would more easily be deemed dramatic or tragic. That's not to say it's not funny, at times it's very funny, Spacey is fantastic as the over-the-top Hollywood producer, but the film has a lot more to say than a simple comedy would ever try to offer. At the crux of the film is the interplay between the three main characters; the aforementioned two and the woman who sits between them. The film plays with their relationships, building up the audience's sympathy in one character only to deftly switch it around as further 'facts' come to light.


But it's not all plain sailing. Unfortunately, I can't say that it's flawless. The script tries admirably to achieve an ideal perfection in what it's trying to say, and I have to commend it for strictly sticking to the oft-ignored rule 'show, don't tell'. I have to say though, that my main bugbear is the character Dawn Lockard, her motivations are never quite clear in the beginning... it's easy to see why this is as the film progresses but it still seems too obvious a plot hole. Oh well, better luck next time. The acting is generally of a high level though (with the possible exception of Frank Whalley, but to be fair, he is opposite Kevin Spacey), and the direction and script are one of a kind (and in a good way).

This is something worth checking out if you ever see it resting in the weekly comedy section of your video store, it's an interesting film, and it has something pretty cool (and edgy) to say about an industry that stands on it's own.
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Ed Wood

September 15th 2006 07:53
Ed Wood (1994)

One of my favourite films, I have to admit. 'Ed Wood' is an odd combination of serious biographical picture and tongue-in-cheek humour. As an added bonus, the acting is exemplary.

The film is a homage of sorts to Edward D. Wood Jr, reputed to be the worst director that Hollywood ever saw. The film covers the early part of his career ('Glen or Glenda', 'Bride of the Monster' and 'Plan 9 From Outer Space') and his relationship with then-washed up horror legend, Bela Lugosi. Truth really is stranger than fiction; I can't help but laugh at the awfulness of Ed Wood's work and the various outcasts he called his friends.

Martin Landau is astounding as Bela Lugosi, even if you're only marginally familiar with Lugosi's work (his is the most famous and imitated interpretation of Dracula on screen) it really has to be seen to be believed. Bill Murray also turns up as Bunny Breckinridge, a would-be transvestite, and Vincent D'Onofrio cameos convincingly as Orson Welles. Johnny Depp proved his versatility here (to me at least) as the hopelessly optimistic and energetic cross-dressing Ed Wood, and the direction is pure Tim Burton twistedness.

I really don't have a bad word against this film - it's staggeringly entertaining, terribly funny and an amazing account of 50s B-Grade film-making. I think it’s Burton’s best film.

HIGHLIGHTS: Without a doubt, Martin Landau as Bela Lugosi; a cursing, curmudgeonly delight, always ready to call his contemporaries (namely Boris Karloff) 'hacks' and 'cocksuckers'. Also, laughingly, Ed Wood continuously compares himself to Orson Welles, and even gets to meet the man himself.

TRIVIA: 'Ed Wood' won two Academy Awards, one for makeup, and one for Best Supporting Actor (Landau). 'Ed Wood’s budget (ironically) came to more than all of Ed Wood's films put together. Vincent D'Onofrio's voice was overdubbed by an Orson Welle's impersonator.
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Short Circuit 2

September 14th 2006 07:48
Short Circuit 2 (1988)


Okay, it's the inevitable sequel. I have to admit, I loved this just as much as the original when I was 8 years old, but in hindsight, after watching both 'Short Circuit' and 'Short Circuit 2' it's painfully obvious that the sequel is no where near up to scratch.

It's an embarrassing case of 'spot the original cast member' here as Ben (Fisher Stevens) is elevated from sidekick to leading man. Ben now lives in New York, trying to sell toy versions of the robot he helped create. Through an amazing stroke of luck he lands a $50 000 toy-deal and his old friends send Johnny 5 (the robot from the first film) to help him. Add in a bank-heist subplot, an awkward love-interest, and a shifty New York hustler, and you've got 'Short Circuit 2'.

Okay, so it's not completely shit. It's still fun and cheesy, and it's great to see Johnny 5 out and about in the big city. There are also some touching moments of self-awareness for our robotic hero. The main problem with 'Short Circuit 2' is that it takes it all too far. It goes all action-movie for the ending, and Johnny 5's need for 'revenge' is embarrassingly corny. Also, Ben is a completely different character - he is now a shy, lonely immigrant in search of love. What the fuck? What happened to all his rude jokes and fratboy-styled eyebrow-raising? There is absolutely no resemblance between Ben in 'Short Circuit' and Ben in 'Short Circuit 2', they even have different last names for some reason (!) It's a wincingly transparent attempt to make him a more sympathetic character, but it just makes him dull.

Don't watch this if you're expecting a repeat of the first film. It's nowhere near as charming, and it seems to forget that it's meant to be a bit of a family film - leaving in the corniness but replacing the good natured-humour of the first movie with a bit of old-fashioned cynicism and city-style nastiness.

HIGHLIGHTS: Johnny's 5's adventures in the city are, for the most part, thoroughly engaging. If the film had spent more time concentrating on Johnny 5 (and kicked out the bank heist plot) then it might have saved itself from all my cringing.

TRIVIA: Michael McKean (who plays Fred) is an easily recognisable character actor from many comedies over the last two decades, often playing shifty/greedy types. His most famous role however is as David St. Hubbins, the lead guitarist of Spinal Tap, and he can be appreciated in Christopher Guest’s various mockumentries.
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Sex Boat

September 4th 2006 08:25
MATURE CONTENT
   


Nuns on the Run

June 30th 2006 07:55
Nuns on the Run
Nuns on the Run (1990)


I can't believe it took me so long to get around to watching this film. I mean, come on! It's got Eric Idle in it, and it's about blokes dressed as nuns, how could I not like it


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Crocodile Dundee

June 26th 2006 08:15
Crocodile Dundee
Crocodile Dundee (1986)


"That's not a knife... this is a knife"... ahhhh, Croc Dundee - the spearhead of Australia's shortlived invasion of America. For a short while, everyone went around saying 'get outta the way dopey' and 'g'day mate', it was great - while it lasted. Watching this again – IE. Going back and witnessing the phenomenon that started it all - was actually quite exhilarating, it was like I was 8 years old again


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Jabberwocky

June 23rd 2006 13:39
'Jaberwocky' is Monty Python animator/resident yankie Terry Gilliam's first post-Python directing effort. Gilliam would have to be one of my favourite directors of all-time... 'Brazil', 'The Fisher King', 'Twelve Monkeys', these are all great films. His debut film is more Python than his later efforts, but Gilliam's twisted vision can still be glimpsed throughout so this is easily worth a look-in for both Python and Gilliam fans.

Jabberwocky
Jabberwocky (1977)

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Three Amigos

June 21st 2006 07:21
Three Amigos
Three Amigos! (1986)


Ahhh, this is an 80s comedy classic. How can you go wrong with a combo like Steve Martin, Chevy Chase and Martin Short? I used to watch this film all the time when I was a little'un, and I'd forgotten how funny it was - silliness still stands the test of time


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