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Old Movies - December 2006

Boys Don't Cry

December 30th 2006 06:11
Boys Don't Cry (1999)


'Boys Don't Cry' tells the true story of one Brandon Teena (or Teena Brandon), a young woman who passed herself off as a boy in mid-west America, and lived life as such, with tragic consequences. The film picks up the story after she has reinvented herself as a male, and we follow her (I'll refer to her as 'her' to save myself any headaches) from here, picking up bits and pieces of her previous life and misdemeanors as we go. Brandon eventually falls in with some small-town 'losers' and gets caught up in their lives... something that we know from the start can only end badly.


This is a fairly low budget, independent film. It's driven by sparse direction accentuates the yawning emptiness of inland America (or any western small-town nowhere). It feels like a wasteland, and therefore it doesn't seem so odd that these everyday characters are doomed. The film is realistic, it doesn't seem to sugarcoat anything and it's not afraid to look at things truthfully. Even though Brandon makes mistakes, and is unflinching in her unwillingness to be female, we feel nothing but shock and disgust in regards to her fate at the hands of intolerance and jealousy.

Hilary Swank was more than worthy of the Oscar she received for playing Brandon. It's a role that could've easily become a caricature in the hands of a lesser actress, and Swank gives a brave performance. Chloe Sevigny is also impressive as the girl who falls for Brandon, understatedly so, and the rest of the relatively indie-film cast are of equal quality.


It's a hard job to review this film. It's not exactly an enjoyable movie, but it grips and burns in your mind nonetheless. Unfortunately, being a true story, we know about the outcome before it happens, so I'm afraid the ending left me numb rather than angry or sad. It's worth watching though for it's gentle yet uncompromising telling of a tragic and fascinating true story.

TRIVIA: Alicia Goranson (Becky from 'Roseanne') auditioned for the role of Brandon unsuccessfully. She was given a supporting role in the film as a consolation prize of sorts.

Chloe Sevigny was nominated for the Best Supporting Actress Oscar but lost to Angelina Jolie's performance in 'Girl Interrupted'.
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Murder!

December 29th 2006 05:06
Murder! (1930)


'Murder!' is an early Hitchcock film, only the third non-silent film he made, and can be often found these days on DVD for only a few dollars. I got my copy as part of a bargain 10-pack of Hitchcock's British films (films from between 1930 and 1939). A good score!

Anyway, 'Murder!' starts out with the discovery of a body, or more succinctly, the discovery of a woman standing over a body. Both the woman and the body are members of an acting troupe, and the suspected murderer (for no doubt, that is what the woman is) apparently has no memory of what happened. She is taken to trial and subsequently sentenced to death. It falls upon the conscience of Sir John Mernier - one of the jury - to investigate and prove her innocence. What follows is a typical whodunnit.

It's very creaky, owing to the early days of sound-film in Britain. Hitchcock is evidently keen to experiment with the new advances being made, and this film is notable for being the first film with a voice-over demonstrating a character's thoughts. The plot itself isn't much to write home about, it's fairly typical in light of the genre's many entries since, and the only time it really managed to impress me was with the spectacular finale that took place at the circus - a really well-filmed sequence that shows the beginnings of Hitchcock's burgeoning directorial genius and eye for shot-composition.

One for Hitchcock completists.

TRIVIA: One of the characters - a man unliked because he is a 'half-caste' - was originally a homosexual in the book the film was based on. This wouldn't be the last time Hitchcock would feature or be forced to censor a homosexual character in one of his films.

The film was made concurrently with a German version, using the same sets and some of the same actors.
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Missing in Action

December 28th 2006 02:14


In other news I watched a Chuck Norris film the other day, it was called 'Missing in Action' and involved Chuck as a balls-to-the-wall vietcong hating ex-POW who runs riot in post-war Vietnam to retrieve POWs who are still missing in action.

Great moments included...
* Norris and his team shoot up the enemy, Norris nods at a pal, who gives him a thumbs up. Norris thumbs up him back. Gold.
* Norris, upon watching two vietcong soldiers bayoneting some of his mates, unpins two grenades and leaps down onto the vietcong whilst holding them... slow-motion fade out, enter caption "10 years later" ahahahahahah HE'S STILL ALIVE!
* Norris, upon returning to 'nam for a press conference where the Viet politicians denounce the existence of any more POWs, is accused of being a war criminal. He replies defiantly... "I was put in a camp for killing arseholes like you!"
* Norris breaks out of his hotel, sneaks into the head General's house, scares some information out of him regarding the whereabouts of the last POWs, kills the General, sneaks back into the hotel, and - upon hearing alarmed viet soldiers coming to bust him - quickly de-shirts an American ambassador chick and throws her into bed. Alibi now in place.
* Norris negotiates a good price for a boat off an old colleague whilst the colleague fights off angry Thai pimps.
* Norris triumphantly busts into a press conference with some POWs under his arms… cue freeze frame and a bad cheesy 80s ballad to signal the film's end.

After watching this film I can understand why the man has so many fans.
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About a Boy

December 26th 2006 23:01


I've been keen to see 'About a Boy' for a while, being a fan of the other two films I've seen adapted from Nick Hornby's novels (High Fidelity, Fever Pitch). The 'boy' of the title has a double-meaning. On one level it refers to the actual boy featured, a troubled 13 year old named Marcus (Hoult). On another level it refers to Will (Grant), a late 30s slacker who refuses to grow up. The film starts off by tracking Will's charming yet anti-social exploits in picking up women and generally lounging about. Eventually his path crosses with Marcus', an odd boy who lives with his suicidal hippy mother


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Gone in 60 Seconds

December 23rd 2006 08:45


Cars. They don't really interest me. So I stayed away from this movie for a while even though my brother had it on DVD. Eventually, boredom got the better of me and I watched it


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The Talented Mr. Ripley

December 22nd 2006 10:30


I didn't think this film would interest me enough, but I watched it anyway, cause when you're unemployed what else are you gonna do


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A Passage to India

December 21st 2006 09:55
A Passage to India (1984)


'A Passage to India' is notable for being the last film directed by David Lean, who is widely regarded as one of the greatest directors of all time. As a David Lean film, it stands as a bit of an oddity... whilst undeniably epic in terms of it's effective cinematography and the unmistakable tone of it's direction, it remains a rather more personal story in terms of it's scope and is a far cry from the likes of his other epics


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The Boxer

December 19th 2006 06:06


I'm a big fan of Irish writer-director Jim Sheridan... his films are dramatic in the most non-melodramatic way, and they sometimes feature Daniel Day-Lewis, which is enough to sell any film to the likes of me. 'The Boxer' is the fourth film in Sheridan's unconnected yet chronological examinations of the Irish. Taking it's lead from points touched on in the excellent 'In The Name of the Father', 'The Boxer' delves right into the muck of families amongst the IRA


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The Leopard

December 18th 2006 10:23
The Leopard (1963)


The Leopard is a magnificent and epic Italian film about the Risorgimento, a period in the 19th century that saw the unification of Italy from various disparate states. Through the eyes of Prince Don Fabrizio Salina (Burt Lancaster) we witness this great upheaval of society in Sicily as the old guard (begrudgingly) makes way for the new


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The Battle of Britain

December 15th 2006 04:26
Battle of Britain (1969)


This is one of those films that you pick up almost anywhere fairly cheap these days thanks to the DVD boom. In regards to it's merits as a war film, this would have to go down as one of the staples of the genre, and is one of the better efforts to come out of Britain. It features an all-star cast and some truly stunning aerial sequences


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Men of Honour

December 14th 2006 12:04


Okay, I'll be honest. I only picked this up because it had De Niro in it. I figured, 'hey, it's got De Niro, and I know it'll at least be entertaining'. How would I know that, you may ask? Well, it's a biopic concerning the real-life struggle of Carl Brashear, the first African-American US Navy Diver. I always tend to find biopics easy to watch


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Judgment at Nuremberg

December 13th 2006 06:12
Judgment at Nuremberg (1961)


Coming just over ten years after the real Nuremberg Trials that took place at the end of World War II (for perspective's sake, that's ten years wait from now for a film about the end of the current 'War' in Iraq), 'Judgment at Nuremberg' is a more-than-timely film that combines a fine cast and an expertly-constructed court-room setting with the increasingly relevant themes of complicity and the politics of war


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The Road to El Dorado

December 12th 2006 06:06


Yes, this film is a cartoon. No, I'm not embarrassed that I watched it - a lot of cartoon films are more enjoyable than their live-action colleagues. What mainly attracted me to this film was that it featured Kevin Kline and Kenneth Brannagh; a fine pair of actors if ever I saw some


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The Lavender Hill Mob

December 7th 2006 10:22
The Lavender Hill Mob (1951)


Another of the oft-celebrated Ealing comedies that starred Alec Guinness. This film, along with three others - 'The Man in the White Suit', 'The Ladykillers' and 'Kind Hearts and Coronets' - are often bunched together as the Ealing classics, and are all worthy entries in the Alec Guinness canon of classic peformances. 'The Lavender Hill Mob' is probably my favourite of these four films


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One Hour Photo

December 6th 2006 13:12


Robin Williams continues to explore his dramatic range, this time taking on the role of a sad, ill-adjusted photo-lab technician, Sy Parish. Making use of crisp, slightly artsy (in a good way) direction and an excellent score, the film follows Sy's obsession with the Yorkin family, tracing his journey to it’s inevitable breaking point


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The Last Castle

December 6th 2006 08:25


A good, cracking prison/POW-style film. I like prison films; the inevitable battle of wills, the characters, the quiet rebelling... it's all great stuff on film. 'The Last Castle' plays on the genre by mixing it up a bit. The prison in question is a military prison, giving it the aforementioned POW-feel in terms of characters, and our main man (Redford) happens to be a General-turned-prisoner. WOAH! Pretty cool, eh? Sorry, I'm getting excited


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The Shipping News

December 5th 2006 08:18


Following up on the well-recieved 'The Cider House Rules', director Lasse Hallstrom adapted another award-winning novel to film, using a well-chosen cast of grade A talent and the beautiful and quirky location of Newfoundland


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Top 5 Films

December 1st 2006 10:25
Withnail and I


I'm going away for a few days so I'm just doing a short post on each of my blogs today


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