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Old Movies - August 2006

Red Heat

August 31st 2006 07:56
Red Heat (1988)


You've just gotta love 80s Arnie films. There's something I find endlessly amusing about a Russian cop/American cop buddy action film, made at the tail end of the cold war, and featuring Arnie as a Russian. The film kicks off with Mr Schwarzenegger kicking some Mongol arse in the snow, complete with an unnecessarily bare bottom and humourless Russian facial expressions. Cue red-font titles with backwards R's and N's!


Okay, so the plot isn't anything special, and some of the humour seems a little forced (namely Belushi's wisecracks to himself), and yeah, the whole thing's starting to look a little dated. The main idea of the film seems to be to do a East-Meets-West buddy cop film, and this is as far as the idea stretches, opting to eschew any sort of unexpected character dynamics, interesting villains or even a less than paint-by-numbers plot. But it's just great to see Arnie playing a Russian cop (he even speaks Russian!) The film is fairly dark in tone, and there's some excellent location scenes in Russia at the beginning.

The funniest moments in the film come from the Soviets making fun of America (witness the reference to 'gangsters'), but these are too far and few between. There's a satisfactory climax involving two buses playing chicken, and yes, the two protagonists do eventually begrudgingly warm to each other - what a surprise!

Take it as it comes, Red Heat was never going to win any awards, but it's fun enough. I can't help but love the USSR.


HIGHLIGHTS: "How do you Soviets deal with tension and stress?" "Vodka".

Hahahahaha.
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Gangs of New York

August 30th 2006 08:11
Gangs of New York (2002)


Okay, I know this blog is called 'Old Movies' but I was getting sick of being restricted. Let's just say this blog is predominantly old movies, with the occasional newer film thrown in. Besides, it's at least 4 years old. And double besides, someone requested this particular review as well.

'Gangs of New York' is a Martin Scorsese film, so you know it's going to be anything but simplistic as far as it's themes are concerned. On the surface this is a film about one boy's quest for revenge, against the man who killed his father. But underneath this you'll find more than a few comments on where the United States of America came from, and, more importantly, where it's heading. I'm not about to get into a debate about American politics though, so on with the review.

A lot of people hate Leonardo DiCaprio. Most of this stems from 'Titanic' (and, to a lesser extent, 'Romeo and Juliet'), so I don't really blame them. I've never really had a problem with Leo though (yeah, that's right, I called him 'Leo', me and him go way back), I thought he was fantastic as the retarded kid in 'What's Eating Gilbert Grape', and he was perfectly cast in ‘Catch Me If You Can’. I have to admit to being less than impressed with 'The Man in the Iron Mask' but 'Gangs of New York' redeems any doubts one may have formed in regards to his acting. He fulfils the hero role impressively, and for those who fear total DiCaprio screen domination, you can be thankful that almost as much screen time is spent with the film's antagonist - Bill 'The Butcher' Cutting (Daniel Day Lewis).

Bill the Butcher

Daniel Day Lewis is amazing. He's a cunt for not making movies that much. I can't imagine anyone not being at least slightly impressed with his performance here. Lewis is a method actor, and an astounding one at that, so I had no problem forgetting that this was just a character on a screen. Such is the extent that he immerses himself in his character that you forget that Lewis the actor exists, and you certainly forget all the other roles you may or may not associate with him. Anyway, I'll stop now, I've wanked on for far too long about him – let’s just say he’s brilliant.

Diaz is annoying, but it's tolerable. The rest of the supporting cast is brilliant - Academy Award winner Jim Broadbent, Liam Neeson, Stephen Graham (Tommy from 'Snatch') and Henry Thomas (the kid from E.T.!), just to name a few, all feature. As expected, the direction is brilliant. There's an epic style to the camera work that complements the saga-like quality of the story. The attention to detail throughout is amazing, all the events of the era are acknowledged and featured to an extent that you feel that this is truly a slice of time.

More than a few people have been critical in regards to comparing this with Scorsese’s earlier work… I think that’s probably a little unfair. Films like ‘Taxi Driver’, ‘Mean Streets’, ‘Goodfellas’ and ‘Raging Bull’ have all had the passage of time after them, allowing for their reputations and classical status to build up. I think ‘Gangs of New York’ is a solid return to form for the director, it’s easily one of his good ones, and only time will tell if it stands up to his other classic films.

Anyway, I've waxed lyrical for long enough. I need to see this again, as there's a lot of themes to be absorbed from this film. Oh yeah, and it's probably important that I also acknowledge how entertaining it is. Quite a few people have remarked on the comic-book quality to the film; I wouldn't take it that far, but it is a colourful and frenzied story. Enjoy.
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Scarface: The Shame of a Nation

August 29th 2006 11:38
Scarface (1932)


Despite the 50 years between them, 'Scarface: The Shame of a Nation' and Brian De Palma's gaudy 80s re-imagining actually have a lot in common. Their characters might have different names, they might inhabit different cities and trade in different commodities, and they might be of differing ethnic backgrounds, but the arc they both follow are strikingly similar - even down to the oedipal subplot. And both films were incredibly controverisial in their heyday - coming under fire by the censors for their violence and alleged glorification of criminal excess.

The talented and chamelionic Paul Muni plays Tony Camonte, a lowly hood and immigrant who claws his way to the top of the criminal ladder. He's callous and of low intelligence and - in spite of these unsympathetic traits - he's everything a glamourous gangster believes he is... proud, strong and attractive. An alpha male standing tall on the underbelly of society.

Like De Palma's remake, this scarface's downfall comes via his own personal faults and weaknesses... he hits a glass ceiling and cuts himself to shreds in his own greedy push to go higher and higher. The degeneracy that coloured his character as the smalltime thug he started out as proves to be his biggest enemy.

It's an exciting and memorable film, surprisingly violent and chock full of gangster revenges and shootout action. Boris Karloff appears as a rival hood and George Raft made his name here as the coin-flipping sidekick to Muni's scarface. The quick pace and various nefarious exploits ensure that the film still stands up some 80 years on.

The censors had a lot of trouble with this film... they forced the addition of the subtitle 'The Shame of a Nation', as well as changes to the opening and closing sequences. The film's release was delayed for two years whilst the filmmakers and the censors battled it out, and the film was eventually allowed out with an ending showing Camonte sentenced to a hanging by a lawfully-appointed court. Thankfully, the version available today features the restored and much more relevant original ending.

TRIVIA: The main character of the film was loosely based on Al Capone, who reputedly liked the film enough to own a print of it.

The letter 'X' often features visually in scenes involving death.

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Dogs in Space

August 28th 2006 11:12
Dogs in Space
Dogs In Space (1987)


Dirty. Squalid. Boring. These are three words I would use to sum up 'cult' film 'Dogs in Space'. I picked up this 'hidden treat' on video at a record store for a few bucks once after hearing someone talk it up as 'amateurish but fun'. I guess that would be an accurate description if you were feeling generous. I'm not really feeling generous


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Young Guns

August 25th 2006 04:03
Young Guns (1988)


What a great movie! I can't it believe it's taken me this long to watch it. Rest assured, you'll see a review of it's sequel soon enough. 'Young Guns' has it all - comedy, action, drama, Native American drugs


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New York, New York

August 24th 2006 03:51
New York, New York (1977)

I'm a pretty big fan of Martin Scorcese and Robert De Niro, so, naturally, I would approach a film like this with some degree of excitement. Fortunately, I was aware that this was one of their weaker efforts, so I was able to watch this not expecting too much. Nonetheless, I was intrigued to see De Niro play a swinging sax player alongside a crooning Ms. Minelli.

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They Might Be Giants

August 23rd 2006 09:38
they might be giants
They Might Be Giants (1971)

This is a farcial, quirky film about a modern-day ex-juror (Scott) who thinks he is Sherlock Holmes. Assisted by psychologist Dr. Watson (Woodward), and a whole host of disgruntled mentally ill characters, he investigates seemingly random unconnected ‘clues’ across the landscape of New York.

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Miller's Crossing

August 22nd 2006 04:15
Miller's Crossing
Miller's Crossing (1990)


As a fan of gangster flicks (the mob kind, not the rapper sort) and the Coen brothers (‘Fargo’, ‘The Big Lebowski’, etc) I was glad to happen upon this weekly video a few days ago. The cover made it look kind of cheesy, but I was glad to find the film was nothing of the sort


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Salvador

August 21st 2006 07:36
Salvador
Salvador (1986)


'Salvador' is one of Oliver Stone’s earlier efforts… it hasn’t gained the recognition of ‘Platoon’, ‘JFK’ or ‘Born on the Fourth of July’ but I think this film is every bit as much ‘up there’ as those aforementioned Stone classics


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The Warriors

August 18th 2006 03:57
The Warriors
The Warriors (1979)


Ah... finally. When some cult classics make it to DVD, making it easier for schmucks like me to check out what they've been missing out on, I can’t help but feel I’m finally catching up with the rest of the human race. One such classic is late 70s low-budget gang/action film 'The Warriors


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A Streetcar Named Desire

August 17th 2006 04:56
streetcar named desire
A Streetcar Named Desire (1951)


'A Streetcar Named Desire' has FINALLY been given a decent DVD release in Australia, which means I could finally watch it. I'm done with roaming video rental stores, scouring the shelves back and forth back and forth, getting excited at the words 'streetcar' and 'desire' only to find it's some whack alternative version starring Treat Williams or, shudder, Alec Baldwin. I'm done with that. I now have the definitive version


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My Left Foot

August 16th 2006 06:44
My Left Foot
My Left Foot (1989)


'My Left Foot' is the uplifting and inspiring true story of Christy Brown - a writer and artist from the poorest part of Dublin who was not only handicapped by his family's poverty but also by cerebral palsy


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Kevin Spacey

August 15th 2006 06:35
kevin spacey


I've always been pretty neutral in regards to Kevin Spacey's talents... that is, until I saw this video in which he uncannily impersonates Al Pacino, Christopher Walken, Katherin Hepburn, Jimmy Stewart, John Gielguld, Marlon Brando, Clint Eastwood and Jack Lemmon


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Chaplin

August 14th 2006 06:05
Chaplin
Chaplin (1992)

Richard Attenborough, the king of the epic biopic ('Gandhi', 'Cry Freedom'), turns his hand to Charles Chaplin, the immortal star of early cinema. Attenborough possesses a keen eye for detail (perhaps a little too keen), so I knew that this would be a film worth watching, by any account.

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The Deer Hunter

August 11th 2006 05:58
The Deer Hunter
The Deer Hunter (1978)


Regarded as one of the best films of it's time (whether that means the 70s or the 20th century I can't really tell you), the Deer Hunter is an emotionally epic tale of three Pennsylvanian steel-workers who go to war in Vietnam. The film clocks in at nearly 3 hours, and takes place in three parts – before the war, during the war, and after the war


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Midnight Run

August 10th 2006 05:43
Midnight Run
Midnight Run (1988)


This seems to be one of those films that slipped through the cracks of time. Everyone who's seen it seems to love it, but a lot of people haven't even heard of it. It's a film of it's era, but not embarrassingly so


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Sherlock Jr.

August 9th 2006 05:12

Sherlock
Sherlock Jr (1924)... click picture to watch


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The Cincinnati Kid

August 8th 2006 07:20
cincinnati
The Cincinnati Kid (1965)


Thought of by more than a few people as a ripoff of 'The Hustler', the Cincinnati Kid is the McQueen equivelent of said Paul Newman film, only replace the snooker tables with card tables


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Guilty by Suspicion

August 7th 2006 05:15
guilty
Guilty by Suspicion (1991)


Okay, so the title is cliched at best... and yes, I got this because it had Robert De Niro in it, but hey - it was cheap (like $3 or something) and it's subject was something that genuinely interested me. So here goes


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The Exorcist

August 4th 2006 06:02
The Exorcist
The Exorcist (1973)


Often billed as 'the scariest movie of all time' and now re-released as 'the version you've never seen', 'The Exorcist' was one of those classic 70s stylish horror films that I simply had to check out (like 'The Omen'). So I did. Check it out, I mean


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Wall Street

August 3rd 2006 06:31
Wall Street
Wall Street (1987)


Before I saw ‘Wall Street’ I used to always see it cropping up in a lot of people's 'Top Movie' lists. I already knew that it won Michael Douglas an Oscar, and that it was directed by Oliver Stone, one of America's most acclaimed directors, so I had always known it would be at least worth a look in


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Home Alone

August 1st 2006 07:38
Home Alone
Home Alone (1990)


I like 'Home Alone'. Yes, I can admit it, and I'd like words with any souless scrooge who can't squeeze any enjoyment out of it. I loved 'Home Alone' when I was kid, it was like a live-action Warner Bros/Bugs Bunny cartoon combined with every kid's independence fantasies - all played out on the screen with the right amount of cheesiness and fun


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Deliverance

August 1st 2006 06:24
Deliverance
Deliverance (1972)


A strangely disturbing film for it’s time. ‘Deliverance’ originally turned heads with it’s cast of hillbilly inbreds hellbent on buggery and banjo-playing (I shit you not). The theme, ‘Duelling Banjos’ (adapted from the traditional yokel tune ‘Feudin’ Banjos’), is almost as famous as the film itself


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